Bad Ending Maker

In the realm of corporate betrayal, the term “Bad Ending Maker”

took on a new and personal significance for Mr. Mincheol.

Abruptly handed a pink slip, he found himself severed from the job to which he had dedicated his youth,

all because of his dissent against the management’s billing policy. Overnight,

the online director of Wings was cast into the void, left to grapple

with the unexpected termination of a chapter in his life.

The irony was palpable – a Bad Ending Maker himself, thrust into a narrative not of his own design.

Wings, an online game crafted by his hands,

became the cruel stage for this dramatic exit. A creator now ousted from his creation,

Mincheol faced a decision that would redefine his destiny. Amidst the shards of shattered professional dreams,

a newfound determination emerged – a resolve to become the ultimate arbiter of his own fate.

“I will become the final boss myself,” Mincheol declared with unwavering conviction.

His proclamation echoed through the digital corridors of Wings, signaling a shift in the narrative’s trajectory.

As the dust settled on his abrupt departure, Mincheol embarked on an unconventional quest.

With a subtle nod to the irony of his situation, he vowed to end the game, and thus, his own created world,

with his own hands.

Transitioning from the real-world turmoil of corporate politics to the virtual battlefield of Wings,

Mincheol’s journey unfolded with an air of defiance. The game, once a canvas for his creative prowess,

now served as the battleground for a singular mission – to redefine the meaning of a “bad ending.”

The intricacies of his virtual odyssey mirrored the complexities of his real-world struggle,

blending seamlessly into a narrative where the lines between creator and creation blurred.

In this tale of unexpected twists, Mincheol’s metamorphosis into the final boss

of his own narrative unfolded against the backdrop of digital landscapes and interactive challenges.

As he navigated the labyrinth of his own creation, the echo of “Bad Ending Maker” resonated with newfound significance.

This was no longer just a game; it was a manifestation of resilience,

a testament to the capacity to shape one’s destiny even in the face of unforeseen adversity.

In the realm of manga creation, Mincheol’s story serves as a poignant reminder of the unpredictable

narrative arcs that can unfold, both within the pages of a story and the corridors of corporate life. The fusion of reality

and fiction in his journey challenges preconceived notions of endings,

prompting readers to contemplate the extent to which creators wield control over the worlds they birth.